Mr Blint's Attic

News

August 2019

Consequences has been re-issued again in a smart new re-mastered CD box set, there's more material to come on this site soon, plus the CD re-issue got me thinking about my relationship with the album 42 years after its relesase. Read more in my exciting memoir.

May 2019

There's a Consequences podcast! Head on over to Podbean to hear Paul McNulty and Sean Macreavy exploring, explaining and dissecting this unique album.

I can also thoroughly recommend the Sodajerker on Songwriting podcast - they interveiwed Kevin Godley at length in podcast 95, a fascinating listen spanning Kevin's career in 10cc, Godley & Creme and beyond. And yes, he really doesn't like Consequences...


Jan 2016

'The Gizmotron is the strangest guitar device you've never heard of'
Tom Avis has written a nice article about the Gizmotron - the original and the new version. It includes some lines from Kevin Godley that were new to me. Well worth a read.

I'm Not In Love: The Story of 10cc


On 4th December 2015, BBC Four showed a new documentary about 10cc which included footage I'd never seen before from the 70s BBC news programme Nationwide. On it, Kev and Lol demonstrate the Gizmo to presenter Richard Stilgoe, and Lol plays a section from the opening of Consequences. I'll brush up my media law on 'fair use' and see if I can post a clip. In the meantime, here are some stills.


It was a pretty good documentary, including lots on the part Consequences and the Gizmo played in the break up of 10cc. I think it was Kevin who said that if they'd been allowed to have a year out to do it as a side-project, the split might not have happened, as the album's failure to sell wouldn't have been such a big deal - although he clearly didn't like the commercial pressures placed on the band after How Dare You, and he hated 'The Things We Do For Love' so much I wonder if that song wasn't as much to blame as the Gizmo. 10cc remains another example of a band greater than the sum of its parts, like The Beatles, Pink Floyd and countless others.


Lol in 2015 with his prototype Gizmo.

Lots of great stuff in there too about the amazing pre-10cc careers of Graham Gouldman and Eric Stewart, although nothing about them writing bubblegum hits for the US market.


Lol explains how the Gizmo motor bowed guitar strings.

One line coming out of the film echoes a thread in Kevin Godley's recent book: that 10cc never got the attention or respect they deserved because, unlike Queen for example, they were not showmen. They 'sounded like American musicals but looked like four scruffy blokes from Manchester'. Which is because that's what they were.

Certainly a programme catching on the iPlayer if you can. Now if anyone wants to make a programme about Consequences, you know where I am...


May 2015 - Lots of news! First up, Kevin Godley has published an autobiography on iBooks and he now seems much warmer about Consequences than he once was. Read my review here. Thanks to Paul Hamilton for alerting me to that, and for sending me some amazing scans of Melody Maker articles from 1977. Have a look at them here.


Andy Langran sent me photos of his THREE copies of Consequences - Japanese CD, cassette and vinyl. A true fan! Thanks, Andy.


Blint and you'll miss it.
10cc's Graham Gouldman was Simon Mayo's guest on Radio 2 today. He talked about his sadness at Lol and Kev leaving the band, and there's the briefest mention of our favourite triple concept album featuring Peter Cook - at about 1h 11m.


Sample news
Grateful for @bobthesheep for alerting me to No Brain by Madvillain - now where might that opening sample come from I wonder?


Consequences on the radio!

The marvellous Stuart Maconie is featuring Consequences on the Freak Zone BBC 6Music on Sunday 3rd Feb 2013. I was lucky enough to be able to help Stuart get the album on air. Find out more here.


Oddley & Creme radio progamme

On 3rd Novemeber 2012, Andy Votel appeared on Stuart Maconie's Freakier Zone on BBC 6Music to talk about 'Oddley & Creme' - the darker side of 10cc. Lots of great music - as well as stuff from Consequences, they played some of the flexi-disc that was given away with the gizmo and other great lost 10cc gems. The iPlayer page is here: http://www.bbc.co.uk/programmes/b01nnc39. It's also available as a podcast - or should that be 'odd-cast'? Probably UK only, I fear: http://www.bbc.co.uk/podcasts/series/freakzone.


Gizmo help wanted!

Bob Price writes:
Does anyone still have a wheel and wheel support in good shape, so that a company I am working with here in the USA, could cast a mold from it? The new wheels and wheel arms would be made of modern, durable materials. You would be compensated with a set of the new wheels and arms. Original wheel and arm donated to the project may not be usable after making the mold. I can be contacted at sitarbob@comcast.net. I am also on Facebook as Robert Price. Thank You!


March 2008

John Knight writes...

    I thought I'd make contact to inform you that I am selling my Godley and Creme GIMOTRON Serial No. 54. on Ebay which I purchased in 1975.

    As you'll already know, these are incredibly rare so you may wish to inform your members and 10cc. fans about the auction as this could be of interest.

    The Ebay item number is: 12023758901 or the direct link is: here (click this link).

    THERE IS NO RESERVE PRICE!

Check out the Gizmo page for his wonderful images of his Gizmotron.


January 2007

Lots of news to catch up on...

Many thanks to John Convey for sending me a great interview with Godley and Creme - and a review of Consequences - from the Record Mirror in 1977 - follow the link on the navbar above.

Just read Wendy Cook's autobiography - she was Peter Cook's first wife. No mention of Consequences, but interesting to note that they lived at Number 17 Church Row in London. Quite a sad read - neither Wendy nor Judy Huxtable (Cook's second wife, who plays Lulu in Consequences) were allowed to go to Cook's funeral.

And reader Chris Merchant writes...

    I've penned a tune that has a Peter Cook sample from the Big C.
    It's not music that is sympathetic with the album but was inspired by the mystical nature of the number 17. No, really! :-)

    listen here

    Frenzied Bricks webpage


November 2006

Huge thanks to Ric Morris for sending me two contemporary reviews of Consequences, one from the NME and one from Sounds.

Read them or view them as images on the new Reviews page


February 2006

Simon Rhodes-Johnson writes:
I am writing to you to let you know that 'Pete and Dud - Come Again', the play we produced at the Edinburgh Festival last year, is now transferring to the West End. We are opening a twelve week run at The Venue with previews starting 2nd March and press night 7th March.
Tickets are available now on 0870 899 3335 or via www.seetickets.com.
We have teamed up with 'Get Into London Theatre' to offer best available tickets for just �20 during the initial booking period @ http://www.keithprowse.com/.

'Come Again' is a fantastic play, which sold-out in Edinburgh and enjoyed excellent reviews across the board. We've extended the show for London as a two act version.

You can also find links to all our Edinburgh reviews at www.petedud.com.


November 2005

Sorry the site's been neglected for so long... since I last wrote things have changed on the availability front - at least according to Amazon.co.uk, looks like you can only currently get the full Consequences CD on Japanese import - not sure what happened to the US One Way release, it says 4-6 weeks delivery and I can't find One Way's web site any more.
Demon Records (I had trouble finding their web site too) in the UK have re-issued L and Music from Consequences as a cheap double CD, along with Birds of Prey/History Mix and Freeze Frame/Ismism. I have to say I take issue with Demon when they say you can only appreciate Consequences in its butchered 'music from' format! But hats off to them for getting these old Godley & Creme albums back on sale. A full set of Consequences would be nice.


August 2003

A remarkable e-mail from Zander Nyrond in Bath, England:
"Has it ever occurred to you or any of your correspondents that there is a certain familiarity about the male cast of the play (beyond the obvious links to the mediaeval elements, of course)? Four men, one argumentative, temperamental and Jewish, one upper-class drunk, one homely little Northerner and one who sounds as if he comes from the East End and plays the piano...Beyond the Fringe, anybody?
Sorry if I'm being obvious, but it first struck me about three years ago and I haven't had anybody to tell...:-)"



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